The great Horace Silver. That's it. That's the intro. To the music. The Music The Tune: "Strollin'" Recorded: 8-9 July, 1960 at Englewood Cliffs, NJ Personnel: Junior Cook - Tenor SaxBlue Mitchell - TrumpetHorace Silver - PianoEugene Taylor - BassRoy Brooks - Drums By a happy coincidence, the day I finally got around to writing [...]
It's been a while since I've done a 'Record Storing' feature, not because I haven't been to a record store (as my wallet laughs..) but because I haven't had the time. I now have some time. Me, in full tourist mode.(All photos of me taken by my friend Rachel) I've just come back from my [...]
Taking a break from grails and expensive records, I want to get back to the main reason why I started writing about records in the first place- my love for the albums that I don't see talked about much, the underappreciated or plain ignored jazz records and artists that deserve another listen. Like George Shearing. [...]
If 1953 was a banner year for the Brubeck quartet, 1954 was a year seismic proportions. Having left the independent record label Fantasy for industry-giant Columbia Records at the beginning of the year, Brubeck was ready for big leagues. In November of 1954, America met the Dave Brubeck Quartet after Time Magazine featured Brubeck on [...]
In the jazz record collecting circle, there are records that everyone wants, there are records that are rare, and there's records that are expensive. Then there's holy grails. Ask a record collector what a grail is, and they'll probably rattle off a few Blue Note albums, like Lee Morgan's 'Vol. 3' (which I accidentally grabbed [...]
I've given up on trying to do series and themes. Whenever I try, I get into an artist or a type of music and that's that. So from now on, I'm just writing about whatever I happen to be feeling at the time, and right now I'm feeling piano trios. Specifically, I've been digging Billy [...]
1953 was a banner year for the Brubeck Quartet. Their popularity on college campuses exploded and Brubeck and Desmond were quickly becoming jazz stars. The group recorded two of the best live albums in their voluminous discography. 1953 also saw another personnel change in the band with the exit of bassist Wyatt Ruther and the [...]
The Dave Brubeck Quartet's continued to make waves in the jazz community in 1952, winning the first of numerous awards from jazz publications and appearing in serious discussions in those same publications. Fantasy continued to record and release music from the group. Dave Brubeck live, with Wyatt Ruther on bass, Herb Barman on drums, & [...]
This post is merely an explanation and an alert for the post I just published and for future posts. For almost a year, I've been working on a project near and dear to my heart, and that is the creation of a discography of the music of the Dave Brubeck Quartet. It's still a work [...]
In the summer of 1951, Dave Brubeck formed his first quartet. With Paul Desmond as a constant on alto sax and Herb Barman holding down the drum chair, bass players came and went. Two bassists that stayed long enough to get recorded with the group include Fred Dutton (who also doubled on bassoon) and Wyatt [...]
