Taking a break from grails and expensive records, I want to get back to the main reason why I started writing about records in the first place- my love for the albums that I don't see talked about much, the underappreciated or plain ignored jazz records and artists that deserve another listen. Like George Shearing. [...]
If 1953 was a banner year for the Brubeck quartet, 1954 was a year seismic proportions. Having left the independent record label Fantasy for industry-giant Columbia Records at the beginning of the year, Brubeck was ready for big leagues. In November of 1954, America met the Dave Brubeck Quartet after Time Magazine featured Brubeck on [...]
In the jazz record collecting circle, there are records that everyone wants, there are records that are rare, and there's records that are expensive. Then there's holy grails. Ask a record collector what a grail is, and they'll probably rattle off a few Blue Note albums, like Lee Morgan's 'Vol. 3' (which I accidentally grabbed [...]
I've given up on trying to do series and themes. Whenever I try, I get into an artist or a type of music and that's that. So from now on, I'm just writing about whatever I happen to be feeling at the time, and right now I'm feeling piano trios. Specifically, I've been digging Billy [...]
1953 was a banner year for the Brubeck Quartet. Their popularity on college campuses exploded and Brubeck and Desmond were quickly becoming jazz stars. The group recorded two of the best live albums in their voluminous discography. 1953 also saw another personnel change in the band with the exit of bassist Wyatt Ruther and the [...]
It's A Raggy Waltz 